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Medieval times myrtle beach menu11/14/2023 Tilly - with a poignant episode devoting a subplot to Blu del Barrio’s Adira and Ian Alexander’s Gray. The other character to get the spotlight in Season 4’s first few episodes is Mary Wiseman’s Lt. What happens with his family in Season 4 will summon up memories of Picard and his brother and nephew. And also unlike Han Solo, Book still has a strong connection to his homeworld, Kwejian, and his brother and nephew who live there. Han Solo always had Chewbacca - imagine the scruffy smuggler as literally a “cat person” instead. But, other than his cat, he’s a loner and something of an enigma. The Vulcan steeliness she exuded at one time has melted away completely.įor his part, Ajala’s Book continues to defy sci-fi archetypes: initially he seemed to be a Han Solo type, a courier running missions in his zippy starship to make a few bucks and running afoul of trigger-happy gangster aliens along the way. She allows herself to be vulnerable with him in ways that she never would have in earlier seasons, and it serves to highlight the remarkable performance Martin-Green has given over the (just!) 40 episodes of the series to date. This is the best romance for a “Star Trek” captain since Sisko and Cassidy fell in love on “Deep Space Nine” in the ’90s. And it allows for a perfect Trekkie gracenote: the hostile butterfly people are hostile for a reason, and Burnham and Book can use a little Starfleet levelheadedness to save the day for them too.īook is also “home” for Burnham now. When we meet Burnham to start Season 4, “Discovery” gives us a cold open where she and her friend, lover, and honorary Discovery crewman Book (David Ajala) are trying to extend an olive branch to a species of “butterfly people.” It’s like the James Bond–style openings of “Star Trek Into Darkness” and “Star Trek Beyond” - it doesn’t have a ton of relevance to what comes next, but it sure is a lot of fun. Burnham takes to the captain’s seat like the pro she is - and has a stylish new away-mission uniform! Is that pleather? CBS It’s even added some new worlds back under its aegis, aided by the discovery of a dilithium planet that’s about to make interstellar travel easier than it’s been in over a century. Months after Discovery defeated a pirate threat, the peaceful galactic government is now on the rebound. Home for her is Starfleet Command, which she and her crew discovered last season to be a shell of its former self in this strange future. The show’s star, Michael Burnham (played by Sonequa Martin-Green), given the most transformative four-season arc for any “Trek” series lead in the franchise’s history - from war-igniting traitor to a beloved captain, from a logic-obsessed Vulcan wannabe to someone embracing her full humanity - is finally in the captain’s chair. Nothing but a blank slate was before them, but what better way to write on it than with the structure and discipline and meaning that comes from wearing a Starfleet uniform? All their loved ones? Dead for over eight centuries. That’s the situation the entire Discovery crew found themselves in when they jumped to the 32nd century. When Saru left Kaminar to join Starfleet he thought he’d never be able to return again. Home, where we find it and what happens when we lose it, is a major theme of the new season. But, of course, his heart remains with Starfleet. Saru (Doug Jones), the Spock-like character of the show who always found himself between worlds, has settled on his home planet once again. The location? Kaminar, aquatic home of the Kelpiens and Ba’ul, now united after centuries earlier having been locked in a prey-and-predator relationship. In Season 4, the visual palette gets yet another new addition: the Toronto-based production featured an AR wall (from the VFX and virtual production company Pixomondo) for the first time, as “Trek” franchise guru Alex Kurtzman previously told IndieWire, and it’s responsible for that underwater city set. Suddenly, though, the show featured location photography in Iceland! A new time period as its setting meant the need for a new aesthetic. If “Star Wars” always featured planets defined by one climate, “Star Trek” all too often featured planets defined by one very set-looking set. And it proved an opportunity to shake up the look of the whole franchise. “Discovery” went from being a prequel to “The Original Series” to a show suddenly set 900 years later, with the title ship traveling through time to the far-flung 32nd century in its third season. ‘How To with John Wilson’ Finale Is a Remarkable Culmination to the Series - and So Much More
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